•
Ear training with an aid; compare published versions of sheet
music with your favorite recordings. This is a quick and easy
way to learn how jazz players deal with various progressions
• Learn your favorite melodies in twelve keys. After a short
time of doing this you get the feeling that your hand is automatically
finding the right notes.
• Learn your favorite licks in twelve keys.
• Reduce chords to two and three notes. By simplifying the
requirements for the left hand you can better focus on timekeeping
and rhythmic content.
• Start ideas on all upbeats and the downbeats two and four.
This will create more forward motion in the improvised line.
• Play triplets. This is not as easy as it sounds, especially
if you have to cross strings. Guitarists are notoriously bad at
playing triplets that are rhythmically accurate.
• Chord Melody: Many guitarists learn chord melody arrangements
but get locked into one way of playing them. As with melodies
practice solo arrangements in different keys.
• Play chords without roots when there is a bass player.
Not always but often.
• Play chords with roots when there is no bass player.
• When working with a published transcription play along
with the recording to match up with the time feel and articulation
of the soloist.
• Do your own transcriptions of your favorite players.
Another
simple thing I have found is that playing more horizontally than
vertically on the guitar helps facilitate good articulation. When
I started playing jazz I got stuck in 5th position as a result
of playing scales through the cycle of 5ths in this position.
Aside from wearing down the frets in this area this approach was
not conducive to good articulation.
©
Warren Greig Music December 2004
Please
check out Warren Greig's website at http://www.warrengreig.com/ to see what else Warren has to offer.
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