Don’t get me wrong, you won’t find any familiar songs
on this album, nor are you likely to find yourself singing any
of the musical themes after listening to the album one time though.
There are many dissonances and probably not a single minor or
major chord throughout. However, what you will find here is a
unique orchestral approach to playing modern solo guitar which
exposes many colors, nuances and beautiful sonorities, all in
a setting of a single fully-composed modern classical piece. There
are some free sections, some rubato sections where Cheshire develops
engaging melodic and rhythmic themes, and some song-like sections
played in-time.
All
of these sections melt into each other naturally, and are delivered
with effortless virtuosity and sensitivity that forces you stop
and remind yourself occasionally that you are just listening to
a single acoustic guitar. Cheshire has chosen to play fingerstyle
on this album and that gives the album a whole other dimension
when compared to his landmark 2001 solo guitar album “Guitar
Noir” which was all played with a pick.
Once
again Andrew Cheshire has proven that he is a unique innovator
in the sparsely-populated niche between modern classical music
and jazz, and a guitar virtuoso of the highest order. If you are
not familiar with his music, it is well worth checking out his
solo and trio recordings at his website: www.andrewcheshire.com
Jazz
Guitar Life thanks Dan Adler for this review and encourages you
to visit Dan Adler at his website www.danadler.com
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