It
is an album filled to the brim with swinging, soulful, bluesy,
and straight ahead jazz guitar that had me boppin’ in my
seat from the title track “Big City”,
an original composition, to the last, “Biddy
Fleet”, also an original tune.
Stryker
is an extremely melodic player with a warm, yet at times, biting
tone that makes you sit up and take notice. His playing style
on “Big City” reminds me of those
wonderful old CTI recordings of George Benson and Kenny Burrell
where there was a lot of expressive playing alongside taste, feel,
and mucho chops.
Take
the Cole Porter balled “Every Time We Say Goodbye”.
Stryker plays his heart out as he opens the tune with a thoughtful
chord-melody solo that speaks volumes of his harmonic facility
and sense of time. The band then leads into another intro that
just drips of soul with Stryker laying down some serious feel
that would make Benson grin from ear-to-ear, before getting into
the heart of the tune with Stryker stating the melody warmly.
His playing through the changes is just marvelous as his melodic
sense takes us on a journey of improvisational sophistication
that stays true to the beauty of the melody before he revisits
the intro groove with a treatise on soulful blues lines. Just
gorgeous.
Speaking
of the blues, it wouldn’t be a Dave Stryker session without
a good heaping of bluesy jazz fills which are a-plenty on this
CD particularly on the Stryker tune “All Night
long”. Here Stryker gets to slip and slide
through the standard blues form interweaving blues ideas with
modern harmonic devices. You’re gonna want to get out the
transcription paper for this one guys and gals.
No
doubt, Dave Stryker is a guitarist’s guitarist and the rest
of the album lays claim to this title. Just check out the fleet
fingered improv on the “Cherokee” influenced original
“Biddy Fleet*”.
Stryker rips through the changes with aplomb and desirous ease
as veteran drummer Victor Lewis goads him on in a guitar-drum
extravaganza that is just killer. Pianist David Kikoski, who is
just absolutely outstanding on this session, follows through with
a dazzling display of chops and bop dexterity while bassist Ed
Howard keeps the bottom flowing and steady. Stryker and Lewis
then get into a trading fours break that culminates in Lewis showcasing
his formidable skill and maturity as one of this century’s
leading drummers.
In
fact, Lewis is all over this album as he propels and pushes the
energy throughout the tunes in a sometimes subtle other times
in your face manner. A wonderful example of his delicate dominance
is on the much reworked Sinatra pop standard “It
Was a Very Good Year” dedicated to the late
and great Bob Berg. The whole band is electrifying as each member
burns through the tune reminding me at times of Scofields’
early “Shinola” period. Energy and excitement abound
throughout this tune as each player gets to shine through the
changes with Stryker and Kikoski trading some serious lines before
Lewis takes to the fore with a powerful solo spot. This is ensemble
playing at its best pure and simple. Bob Berg would indeed be
proud.
Those
who are familiar with Dave Stryker’s inspiring guitar and
compositional talents will not be disappointed in the least with
this latest outing. For those who are not familiar with Stryker,
“Big City” would be a great CD to
begin exploring the marvelous career of a very serious player.
Plus, it is an enhanced CD that includes a discography, artist
biography, photo gallery and a couple of interviews courtesy of Mel Bay
Records. What more could you ask for?
*Jazz
guitarist William “Biddy” Fleet played alongside Bop
sax legend Charlie Parker. For more info check out http://www.chasinthebird.com/nest/james1_e.html.
Go
to www.melbayrecords.com or www.davestryker.com to purchase "Big City" or to see what
else Mel Bay and Dave Stryker have to offer.
Lyle
Robinson
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