First,
let me start off by stating that Mark Stanley plays some superb
guitar. His style, as evident on this CD, is an eclectic mix of
modern-day fusion, straight ahead jazz, and free form with single
lines that are quick, fluid, and always intense. With a cutting,
oft-times screaming guitar tone that varies between clean and
overdriven, Stanley’s playing can be best compared to Wayne
Krantz and/or Adam Rogers. In fact, the collective sound is quite
reminiscent of the group Lost Tribe which featured guitarists
Adam Rogers and David Gilmore back in the ‘90’s. And
while Stanley plays a major role in shaping the sound of the quartet
through his eclectic playing and compositional endeavors, saxophonist
Peter Fraize, bassist Jeff reed, and drummer Mike Kuhl contribute
greatly to the melodic-harmonic textures and sonic energy that
makes the Mark Stanley Quartet a fiery union.
This
way-out ride gets underway with the tune “cat
cat cat” and doesn’t stop until the
last tune “diaspora” featuring
Stanley soloing over the changes on a smooth sounding acoustic.
Actually, the titles of the tunes should be somewhat of a give
away as to what to expect musically. With titles like “god
on a stick”, “blue octopus”,
“horribly helga”, “small
face”, “pussy”,
“paramour”, and the title
track “humans”, you can
pretty well be assured that the musical content of the CD will
be a “little out of the ordinary”. But don’t
judge a book by its cover as they say. There’s some seriously
excellent music happening on this CD which should not be dismissed
by Stanley’s distinctiveness.
Speaking
of the tunes, the first cut “cat cat cat”,
starts off with a delicate intro that doesn’t last too long
before the group kicks it into high gear with a bouncy melody
that will stick in your mind long after the tune is over. Odd
meters abound in this tune, as they do on many of the tunes on
the CD, as each member gets to shine on their respective instruments
showcasing a tight and spirited effort by all concerned. Fraize,
then Stanley, get to soar through the tune with a hyper creativeness
that speaks of a deep knowledge, understanding, and commitment
to modern-day Jazz improvisation. Stanley’s solo is forceful
as he lunges into a frenzied cluster of “vocalized”
overdriven notes that reminds me of all people, early Steve Vai.
This is not meant as a put down but rather a perceptive nod to
the importance of influences that Stanley brings to the table.
Steve Vai may or may not have had an influence on Stanley’s
playing, but what I hear and get from Stanley’s playing
is that the energy, intensity, and attitude of rock can have a
valued place amongst the harmonic and melodic sophistication of
Jazz, especially when played by a group of guys with wide open
minds and ears. Kind of like a raw Allan Holdsworth.
The
remaining tunes on the CD pursue the same attitude as the above
as Stanley and Fraize grab onto the harmonic landscape of each
tune and basically tear into it with ferocity and excitement.
There are even some bluesy moments apparent during the head of
the tune “small face”. That
is, until it explodes into an almost punk-jazz break that really
shakes things up before settling down into a nice groove allowing
Fraize to do his thing. Great stuff!
If
you are looking for something a little different or you are seeking
out jazz guitar music that features no holes barred improvisation
centered around memorable melodies, odd-meters, frantic improvisations,
tight arrangements, and of course great guitar playing then definitely
check out Mark Stanley and his quartet. He may be a “little
out of the ordinary”, but in this case that’s a good
thing.
Go
to www.markstanley.net to purchase "Humans" or to see what
else Mark Stanley has to offer.
Lyle
Robinson
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