Players
like Jimmy Raney, Tal Farlow, Jim Hall, Django Reinhardt, Rene Thomas, Kenny Burrell and Mitch’s old friend and mentor, Attila Zoller have all influenced Seidman in ways that thankfully, he expresses
in musical homogeny throughout this CD. And he does so marvelously
as he explores the direct influence that each of these players
have had on his playing.
But
this is not an album that attempts to imitate or impersonate.
Rather, Seidman acknowledges their influence and distinct uniqueness
through their compositions, which proves to be a surprising lesson
in the spirit of each player featured.
Eight
out of the nine compositions on the CD come from the aforementioned
players, with the title track penned by Seidman himself. In this
way, Seidman gets to celebrate each player through their own tunes
while rounding out each tune with his own unique instrumental
voice.
Seidman’s
playing is full of rich melodic ideas and like Jim Hall, I found
that he has a very compositional approach to improvisation. Case
in point is Hall’s tune “Echo”, a “smiling
clever blues” which retains the spirit of Jim Hall while
clearly showcasing Seidman’s immersion in both the traditional
and modern concepts of harmonic and melodic invention. Yet, it
is definitely Mitch Seidman you hear, not a watered down version
of what Jim might have played.
And
there’s more where that came from. Just check out any tune
on the CD to hear solid, graceful, and fluid melodic ideas that
not only speak of an unmistakable knowledge of the jazz language
and its history, but also of a sensitivity born out of the compositional
intent of each tune. I get the feeling that Seidman took to these
tunes like they were his own, which to me is indisputable praise
to the lasting effect that these players have had on his musical
consciousness.
And
if that isn’t enough for you to quickly add this CD to your
collection, how about a killer rhythm section that complements
Seidman’s musical excursions to a tee? Paul Del Nero and
Luther Gray, bass and drums respectively, provide the rhythmic
element that propels the music forward with what you expect from
top seasoned players. And Mark Shilansky, piano, proves to be
a potent musical ally as he communicates a perceptive and very
impressive improvisational and comping facility on each tune.
The
result is a highly enjoyable CD that captures the essence and
excellence of eight outstanding and influential jazz artists,
Mitch Seidman among them.
Go
to www.mitchseidman.com to purchase "How 'Bout It?" or to see what else Mitch
Seidman has to offer.
Lyle
Robinson
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