Starting
off the set with a blistering bunch of unaccompanied solo Jazz
lines, Randy heads into the Hendrix tune “Up From
the Skies”. I had first heard this tune performed
by the vocal group Rare Silk and until checking out this DVD I
never knew that this was a Hendrix song although you couldn’t
tell from the way Randy puts his personal stamp on the tune. Intense
lines, superb chord soloing and quick octave playing makes this
tune a wonderful start to an exciting performance.
The
next three tunes “Green Curry”, “David’s
Theme” and “Fringe Benefits”,
are all penned by Randy and feature so much inspiring guitar work
that he could have ended the set there and everyone would have
been satisfied musically. Highlights include near endless streams
of blazing runs (you really have to watch this cat play for the
full impact), harmonic twists and turns, modal excursions, Wes
style octave playing and more chord-melody soloing. Just awesome
stuff which will have your fingers constantly working the remote’s
back button to catch it all again and again.
As
you can probably tell Randy is a total burner when it comes to
line after line of articulate and well-versed improvisation. But
he’s also a sensitive player which comes through in his
performances of “Here’s That Rainy Day”,
“Seems Like Times Are Changin’”,
“If Ever I Would Leave You” and “Body
and Soul”. Lush chord voicings alongside thoughtful
chord-melody arrangements add an extra depth to Randy’s
musical soul and his solo on “If Ever I Would Leave
You” is text-book material that should be transcribed
by anyone seeking commanding jazz-language skills.
Another
major facet to Randy’s playing is his chordal knowledge
which runs very deep I imagine. The chord-melody intros to “Here’s
That Rainy Day” and “Body and Soul”
are just beautiful pieces of work, especially “Here’s
That Rainy Day” which is his only solo arrangement
on the DVD. Randy takes a thoroughly introspective approach to
this tune opening up with a few well slapped strings high up on
the fingerboard resulting in some cool harmonics from the chord
shapes he is playing further down the neck. And his “Body
and Soul” opening arrangement is delightfully poignant.
Of
course it wouldn’t be a Randy Johnston performance without
a large helping of the Blues and Randy doesn’t disappoint.
In nearly all his playing there is an element of the Blues which
serves to complement the intricate and oft-times complex lines
Randy creates in his improvising. Randy’s own “Fringe
Benefits” and the Charlie Parker standard “Billie’s
Bounce” get full attention as Randy whips out blues
enhanced lines like the master that he is. And check out the harmonized
head he pulls out on “Billie’s Bounce”
for a distinctive take on this classic tune. It’s no wonder
that Randy has been the first call guitar player for many international
artists like Etta James, Dr. Lonnie Smith, Tom Harrell and Joey
DeFrancesco to name but a few. Very cool!
Now
although this is definitely Randy’s gig he doesn’t
go it alone as Tom Pietrycha and Tony Leone, bass and drums respectively,
provide committed performances and unfaltering support alongside
Randy with both getting loads of solo space to shine. These are
players you definitely want by your side and Randy seems very
pleased that they are there.
“Randy
Johnston: Live at the Smithsonian Jazz Café”
is, in my most humble of opinions, a DVD that you definitely need
to add to your collection. Not only is it a great way to see a
tremendous Jazz personality up close, but it is a wonderful use
as an instructional media. The closeness that the camera allows,
along with being able to watch Randy’s fingers on the fret-board
over and over again at anytime, allows the novice and even advanced
player to analyze aurally and visually how a true master lays
it out…which is a definite plus in my book. Enjoy!
Go
to www.melbayrecords.com to purchase Randy Johnston: Live at the Smithsonian Jazz
Café or
to see what else Mel Bay or Randy Johnston has to offer.
Lyle
Robinson
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