Joining
Campbell, an exceptional guitar talent in his own right, are five
of the most exhilarating jazz guitarists on the scene today. John
Abercrombie, Larry Coryell, Pat
Martino, Bucky Pizzarelli, and Dave
Stryker lend their musical gifts on two tunes each alongside
Campbell in a mix of standards and Campbell originals. As you
can imagine, the playing is brilliant and the swing outstanding
as each player delivers their own particular voice to each tune.
The
CD kicks off with Cambpell and Coryell playing a Campbell original
“Happy Blues” and then the
classic standard “Love For Sale”
which intros with a nice funky groove throughout the verse. The
playing by both guitarists is top notch with Coryell’s slightly
chorused tone adding contrast to Campbell’s warmth. Coryell
gets into some cool intervallic lines during "Happy
Blues" and he just flies ala Larry Coryell
through one section of “Love For Sale”.
Campbell delivers great solos through both tunes.
Miles’s
“Milestones” and Coltrane’s
“Naima” introduces Pat Martino
to the mix and if you are familiar with Martino’s guitar
wizardry then you know I don’t have to say any more. And
if you are not familiar with Martino’s playing, then check
him out without further delay. He is definitely one of the leading
figures of jazz guitar improvisation and his playing is totally
inspiring. Of course Campbell is able to hold is own alongside
Martino and he just burns on “Milestones”.
John
Abercrombie joins the fray on two of Campbell’s original
tunes; “Angular Blues” and
“Day into Night”. The up-tempo
“Angular Blues” is just
that, angular, with a really cool head that blends into a unique
blues form that gets Abercrombie pulling out all the stops and
switching mid solo from a warm chorused tone to a stinging overdrive
that has some crazy string bending near the end. “Day
into Night” finds Abercrombie adding his unique
modern voice with some wonderful chord and single note volume
swells that add a haunting quality to Campbell’s beautiful
ballad. Campbell as always, demonstrates some wistful playing
alongside Abercrombie’s slightly distorted pensiveness.
Dave
Stryker is up next with a haunting arrangement of Bill Evans’
“Interplay” before it kicks
into a swinging minor blues that has both cats revisiting their
blues roots in a major way. Sonically these two players seem to
come from the same school but manage not to get into each other’s
way which is truly a gift in itself. An added bonus on this track
is the inclusion of a wonderful acoustic bass solo by Bill Moring,
an excellent way to bring the tune back to the head. The joint
then gets jumping with “Softly, As In A Morning
Sunrise” played in an un-tempo Samba feel
with both guitarists showcasing their improv chops at sometimes
breakneck speed. The tune ends with Campbell and Stryker soloing
simultaneously in a free-for-all of groove and exceptional taste.
And
just when you think it couldn’t get any better than that,
it’s Bucky Pizzarelli’s turn to dazzle the eardrums,
which he does just fine thank you on the timeless standards “Darn
That Dream” and “Dancing
On The Ceiling”. Campbell’s beautiful
chord intro to “Darn That Dream”
alone makes the purchase of this CD money very well spent, as
he shows us just why he’s able to command the respect of
many of the top musicians in this industry. Of course Pizzarelli’s
no slouch either as he deftly moves through the tune as only a
master of this music can. Cambpell and Pizzarelli end the CD with
a swinging two guitar arrangement of “Dancing
On The Ceiling” as each guitarist reminds
us that jazz is more than just formidable skill, it is first and
foremost about making music, and that’s just what these
two gentlemen do.
Whether
you are a student of jazz guitar, or just a fan, Six by
Six: A Jazz Guitar Celebration is just that, a celebration,
and should be celebrated by all who admire and respect those who
have devoted their lives to creating wonderful music for us all
to enjoy. Welcome home Royce.
Go
to www.roycecampbell.com to purchase "Six By Six" or to see
what else Royce Campbell has to offer.
Lyle
Robinson
|