The
first tune, “Message Across The Sea”,
with its unison guitar and flute melody line establishes the character
of the CD for what is to come, a festive display of delicate melodies,
evolving harmonies, tonal and instrumental color utilizing voice,
flute, the occasional accordion and muted trumpets, grand orchestration,
insightful musical exchanges and most importantly, enjoyment.
It is this enjoyment that runs throughout the music and I can’t
help but think that there were a lot of smiling faces throughout
the session, especially Albert’s.
In
fact, there are no less than fourteen smiling faces making up
this record, with notable nods to keyboardist Russel Ferrante
of Yellowjackets fame and Robben Ford, the popular jazz/blues
guitarist who shows up on the tune “If We Could
Dance Now” featuring his instantly identifiable
musical stamp throughout the changes following a tasty solo from
Albert himself. Definitely a hit in my book!
The
remaining musicians also deserve nods of approval. Mike Valerio’s
warm sounding acoustic bass playing, Edsel Gomez’s exceptional
piano playing, Jimmy Branly’s powerhouse drumming, Mark
LedFord’s sweet sounding vocalizing and trumpet playing
alongside vocalist Jean Baylor and all the rest just sound great
lending dynamic and energetic musical support and color. Hence
the title I’m sure.
That
being said, kudos have to go out to Albert himself for coming
up with such an enchanting album of delightful tunes that not
only feature his zealous guitar chops on electric and acoustic,
of which there are plenty, but also his writing and arranging
skills which are impressive. In fact, one gets the sense that
the tunes are just as important to Albert as his playing, maybe
even more so. And to me that’s a good thing.
What
may not be such a good thing is that there may be some critics
out there who will dismiss this recording as nothing more than
a Metheny facsimile. Don’t let their opinions sway you from
checking this CD out though. While there may be some minor stylistic
and sonic similarities with Metheny’s music (check out the
title tune), Sandro Albert is no clone. In fact in his Jazz
Guitar Life interview, Albert states that: “I hardly
listen to Metheny, but I have a strong influence of Milton Nascimento,
Wes Montegomery and Toninho Horta...I think we [are] all being
inspired by good music. I like melodies a lot. When I heard Metheny
for the first time I also thought that there was some similarity,
but I was very ok with that, he is one of the best.” End
of discussion.
There
are a lot of surprises in Albert’s music but what I like
most is his penchant for writing developing themes within the
tunes. Repeat listenings will usually reveal something not heard
before as themes and motifs blend in with the dominant harmony
by way of subtle shading. For a great example of this, check out
the tune “Aguas” as the
song takes a few unexpected detours before a climatic “finish”
brings you back to the beginning. Great Stuff indeed! And for
a softer side, check out “Choro To Catarina”,
a beautiful tune dedicated to Albert’s mother combining
classical and jazz harmonies that blend together beautifully in
a rich sonic tapestry of gorgeous tones from the piano playing
of Tamir Hendelman and Albert’s smooth sounding classical.
Definitely worth the cost of the CD alone.
The
Color of Things has been playing regularly on my CD player
since I first received it a few months ago and now that I have
an MP3 player it’s on there as well. I really do like this
CD and I think it is an album that can be appreciated and enjoyed
by musician and non-musician alike. Great songs, great guitar
playing, great players, what more could you ask for? Check it
out and enjoy.
Go to /www.sandroalbert.com/ to purchase "The Color of Things" or to see what else Sandro Albert has to offer.
Lyle
Robinson
|