The
two guitars are heard intertwining their way through a very satisfying
set of jazz standards, blues, bossas and ballads. There is also
a great range of expression and color as the collection moves
from one style to the next. This well thought out program is always
interesting and fresh of course but the big thing I keep coming
away with is the inescapable mood of celebration that none of
the selections fails to generate.
The
group is anchored by bassist Mike Sharfe. Mike creates the perfect
foundation for this recording with flawless time, perfect intonation
and an indelible groove. Like the best accompanists, Mike plays
the supporting role with great skill: always there, but never
in the way. His solos are first rate too.
The
trio really shines on George Benson's "Bossa Rocka".
Berens' interpretation of the melody and his subsequent solo chorus
are great examples of the relaxed confidence he brings to the
music. I admire the aura of deft mastery that he creates; probably
without knowing it and obviously without trying to.
Another
of my favorite selections is "Segment" by Charlie Parker.
The two guitars are featured on the head here in octaves before
Faehnle launches into one of his outstanding trademark solos.
Dan has extensive performance credits with the likes of Dave Frishberg,
Chuck Israels, Ray Drummond, Terry Gibbs, Eric Alexander, Diana
Krall, Dick Berk and Joey DeFrancesco; and it's easy to see why.
The smooth execution of the complexities of his concept are pretty
amazing at times. It's great to see this veteran of the Portland
scene really carving out a niche for himself in the world of jazz.
I'm
certain that anyone having read this far would love to add this
great live jazz guitar recording to their collection. It compares
favorably to various well known Pass/Ellis and Bruno/Alden collaborations.
Congrats to Tim Berens, Dan Faehnle and Mike Sharfe on the release
of this wonderful album. ..........joe
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Visit me on the web www.JoeFinn.net or check out Joe's Jazz Guitar
Life interview by clicking
here.
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