Backed
by such supportive musicians as bassist Jay Anderson, a monster
player in his own right, and Tim Horner, a superlative drummer
who commands both subtle finesse and thunderous force from his
skins, Juris pulls out all the stops as he plays with an intensity
and skill that places him in the top tier of Jazz Guitar players.
Case
in point is the Keith Jarrett tune “Shades of
Jazz”. Juris and his musical cohorts waste
no time turning this tune inside out as they play both inside
and outside the changes with Anderson and Horner stretching out
a bit on this one while Juris just tears the tune up with some
very enviable soloing.
Wonderful
playing abounds on this CD. From the title track to the last tune,
“Indian Summer”, Juris plays
with extraordinary confidence, maturity, and taste as he coaxes
long flowing lines through each of the ten tunes on this session.
And while there is plenty of jaw-dropping technique, there is
also a vulnerable sensitivity which can be heard on the tunes
“Barney K.” a Juris original,
Bill Evans’s “Very Early”
and the heartfelt Juris composition “Little
Brian”.
“Barney
K.” is especially poetic with a lyrical nylon
string melody that was composed at a time when jazz guitar legend
Barney Kessel was ill. As Juris mentions in his liner notes to
the tune: “I was trying to send out some positive energy…long
live his spirit and incredible will”. There’s some
really beautiful playing on this tune from both Juris and Anderson,
who takes a short but none-the-less enchanting solo.
The
nylon string is also featured on the surprisingly near total reharmonization
of the standard “All the Things You Are”,
where Juris equates the reharmonization as possibly coming from
his listening to the “…rock band “Radiohead’”.
The listener can make up their own mind on this tune, but wherever
it came from it is stunningly crafted and Juris’ Richard
DiCarlo nylon string sounds just wonderful.
Adding
to the beauty of this tune is master reedsman David Liebman, who
guests on a few tunes, including the title track, and sounds,
as always, truly captivating. The combination of Juris and Liebman
is killer, especially on the Juris original “Dizzy,
Trane, and You” which is definitely a high
point on this CD as they share the melody and then blow to their
heart’s content.
Actually,
there are quite a few high points on this CD. From the solo intro
to Bill Evans’ “Very Early”
which flows into a “duo” with himself, to the almost
Metheny-ish Juris penned “Table For One”
with guest vocalist Kate Baker singing the melody along with Juris’s
guitar. It is this haunting quality that reminds me of Metheny.
Not to mention the subtle delay on Juris’ warm sounding
Bill Comins electric. But don’t be fooled, the music is
definitely Vic Juris and not an imitation of anyone else. It’s
no wonder that guys like Jimmy Bruno, John Abercrombie and Peter
Bernstein are in awe of Juris’ as a musician prompting Bernstein
to state that “A Second Look” is
a “beautiful record” and that “Vic Juris is
one of the best players on the modern scene.” You can’t
get higher praise than that.
Added
to all the great music on this CD is an enhanced disk that you
can play in your CD-Rom that features an interview, biography,
discography, and photos from the session.
If
you are a fan of great Jazz Guitar or just great music in general,
Vic Juris’ “A Second Look”
is definitely a must for your music library. Don’t give
it a second thought.
Go
to www.melbayrecords.com to purchase A Second Look or to see what else
Mel Bay and Vic Juris have to offer.
Lyle
Robinson
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